Cachet 'Deer' 1920 - 1922
Barend Jordens
BronzeMetal
8 ⨯ 5 ⨯ 3 cm
ConditionMint
Price on request
Dille Art
- About the artworkBeautiful and rare bronze cachet of a stylized deer by the sculptor Adrianus Remiëns (The netherlands, 1890-1972). It was performed by Winkelman and van der Bijl at the time, around 1920. This cachet is also photographed in the book about Adrianus Remiëns, written by A.M. de Jong in 1929.
At the bottom is a monogram, which indicates that the cachet has been used.
Biography:
Adrianus Remiëns (Amsterdam, 1890-1972) was not only a sculptor, but also a painter and draftsman. He was educated at the Amsterdam Drawing School for Art Crafts, his teacher was the well known Joseph Mendes da Costa.
In addition to being a painter, he was mainly a sculptor of human and animal figures, mask heads and reliefs in a Symbolist Expressionist style. His sculptures were very stylized with little detail. This is also clearly reflected in this deer. He worked for Kunstaardewerkfabriek Regina in Gouda and Winkelman en van der Bijl, who also executed some of his designs in bronze, like this cachet. In addition.
Remiëns also collaborated with the famous architect Berlage, for example, and designed building sculptures and facade ornaments for Amsterdam School buildings, including on Mercatorplein.
During his life he lived and worked in Amsterdam, Blaricum and Laren. He was a member of various artists' groups, such as the Dutch Circle of Sculptors, St. Lukas, The Independents and the Association for Beeldende Kunstenaars Laren-Blaricum.
His work can also be found in Dutch museums, for example the Centraal Museum in Utrecht has a bronze deer in their collection, made by Adrianus Remiëns. - About the artist
Jordens received his artistic training at the Teekenschool voor Kunstambachten (1904-1908?) under the guidance of Kees Oosschot and later at the Rijksschool voor Kunstnijverheid in Amsterdam (around 1908-1914) where he studied under Willem Retera and August Falise. In 1923-1924, he further honed his skills by attending an evening course in ceramics taught by Bert Nienhuis.
From 1919 until approximately 1950, Jordens served as a sculpture instructor at the Kunstnijverheidsschool Quellinus, which later became the Institute for Kunstnijverheidsonderwijs. He imparted his knowledge to notable students such as Suze Berkhout, Jeanne Bijlo, Geert Marree, and Bé Thoden van Velzen.[
In addition to his teaching career, Jordens undertook commissions for architectural sculptural work and woodcarvings, contributing to projects by various architects.
Notable among his works were the decorative elements on the facades of the Tuschinskitheater in Amsterdam and the Incasso Bank in Enschede. He was also actively engaged in painting, creating a diverse body of work that included animal and figure compositions, nudes, and portraits.
Jordens was affiliated with artistic associations like Arti et Amicitiae, Sint-Lucas, and the Dutch Kring van Beeldhouwers (Circle of Sculptors).
He participated in several exhibitions and gained recognition when he was awarded a silver medal for his sculpture at the Exposition Internationale des Arts Décoratifs et Industriels modernes in Paris in 1925.
The artist passed away at the age of 83 and was cremated at Westgaarde.
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