'Homme agenouillé tenant une coupe' by Unknown artist
'Homme agenouillé tenant une coupe' by Unknown artist
'Homme agenouillé tenant une coupe' by Unknown artist
'Homme agenouillé tenant une coupe' by Unknown artist
'Homme agenouillé tenant une coupe' by Unknown artist
'Homme agenouillé tenant une coupe' by Unknown artist

'Homme agenouillé tenant une coupe' 1928 - 1932

Unknown artist

PaperPencil
34 ⨯ 28 cm
ConditionExcellent
Price on request

Dille Art

  • About the artwork

    Beautiful pencil drawing by Jan and Joël Martel, this drawing is an elaborate design for one of the reliefs for the monument to Claude Debussy. In the period 1919-1932 the brothers worked on this monument in collaboration with the architect Jean Burkhalter (also Joël's brother-in-law). Originally it was to be placed in Saint-Germain, but it was eventually placed along Boulevard Lannes in Paris (1932). It can still be admired there. Their monument has been criticized for its modern, some say radical, designs. In 1923 they already showed a smaller version at the Salon d'Automne. The series of reliefs, for which this drawing is a design, were based on the music of Debussy, especially the work "Le Martyre de Saint-Sèbastien". The male figure that appears in almost all drawings and reliefs is based on the dancer/philosopher François Malkovsky and the dancer/photographer Jean Borlin. It is drawn on paper. The drawing is very beautiful and detailed with a beautiful stylization. This drawing was probably made in the period 1928-1932, as can be seen from the light shadows and the strong stylization. The work is not signed in pencil but has a poorly legible studio stamp "Atelier Martel". Dimensions: Drawing: Length: 14.5cm (5.71") Width: 9cm (3.54") List: Length: 34cm (13.39") Width: 28cm (11.02")

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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