Abstracte compositie in blauw 1990 - 1995
Eric de Nie
Original oil on canvas
200 ⨯ 150 cm
Price on request
Bruning Heintz Fine Art
- About the artworkGrootte 150 x 200 cm
Signatuur Gesigneerd
Materiaal Olieverf op doek
Stroming Abstract expressionisme
Provenance Particuliere collectie Nederland
Zeer groot en indrukwekkend olieverfschilderij door Eric de Nie. Geschilderd in het begin van de jaren 90 toen de Nie abstract-expressionistisch werkte. Uit het boek Sequenza: "met vlotte gebaren van penseel, kwast of andere hulpmiddelen strijkt hij de verf uit in losse, transparante vormen en vlakken. Streek, vorm en kleur vallen in een schilderij volledig samen. De onmiddellijke navolgbare sporen van de ijle verfopdracht verlenen de werken een grote dynamiek en vluchtigheid. Niet helder afgebakende, diffuse vormen lijken tevoorschijn te komen uit of op te lossen in de ruimtelijke kleurgloed van de fonds. Dit schijnbaar proces van verschijnen en verdwijnen bepaalt voor een belangrijk deel het verdroomde, poetisch karakter van de werken" - About the artist
The paintings of Eric de Nie, born in Leiden in 1944, reflect a captivating and emotional duality between free-flowing paint and controlled brushstrokes. With a playful approach, the artist occasionally tilts the canvas, both horizontally and vertically, and follows the colorful trails of lines, drops and smears of paint with a sensitive eye and fluent hands. By directing chance, a complex set of rhythmic connections is created between color, line, surface and space, creating a new image that is both concrete and poetic.
Eric de Nie describes his work as follows: "My paintings and watercolors are created through a methodical approach in which vertical and/or horizontal directions dictate the image. This method involves the conscious application of chance. I leave diluted paint in thin lines according to the law of gravity flow downwards and repeatedly tilt the work surface, like a composition between horizontal and/or vertical elements. In my watercolors I have discovered new possibilities in recent years by spontaneously applying broad, light brush strokes within this horizontal and/or vertical grid. This often involves 'wiping out' a wide strip of paint. Repetition and intersection of the strokes evoke enigmatic densifications and spaces. In recent paintings, both approaches have merged by chance into a symbiosis. What exactly will happen on the flat surface, depends a lot on the moment and my mood after analytically looking at my previous work or groups of works. My response serves as inspiration for a new work of art, whether in a square or rectangular format, with acrylic paint on canvas or watercolor on special paper, etc.."
"Despite the initial ideas about color combinations, rhythms of successive lines, shapes and colors, I always paint according to the specific characteristics of the new work. Throughout the creative process I continue to look for the moment when the free-flowing lines of paint or the airy sweeping movements with the brush gives me the visual and emotional satisfaction of a balanced image. Sometimes this happens within an hour, while other times it requires weeks of looking, experimenting and sometimes taking a break. I continue to work until a whole is created of rhythmic color shades between full and light color tones, and lines that create an abstract spatial experience. This gives the viewer space to wander within the painting, blurring the perception of time. It is almost like a musical experience that I, figuratively speaking, put into the ears of the viewer wants to resonate."
Eric de Nie's works are included in the collections of several prestigious museums, including the Belvedere Museum in Heerenveen, the Centraal Museum in Utrecht, the Boijmans van Beuningen in Rotterdam, the Waterland Museum in Purmerend and the Stedelijk Museum in Schiedam.
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