STADSGEZICHT MET KOETS 1903 - 1969

Cor Noltee

Original oil on canvas
60 ⨯ 80 cm
€ 3.500

Galerie Gabriëls

• About the artwork
  De Cor Noltee behoeft eigenlijk geen uitleg. Hij was aquarellist, tekenaar en schilder. Hij behoorde tot de laatste generatie Dordtse impressionisten. Hij schilderde in een zelfbewuste, robuuste stijl en kende een breed scala aan onderwerpen: landschappen, rivier- en stadsgezichten, (zelf)portretten en stillevens. Groot werk!
  
  Techniek: Olieverf op doek
  Afmeting zonder lijst: 60 x 80 cm
• About the artist

  Bernardus Cornelis (Cor) Noltee (1903–1967) was a prominent Dutch painter, draftsman, and watercolorist, widely regarded as one of the leading figures of the last generation of artists associated with Dordrecht. Born in The Hague, Noltee trained at the Hague Academy of Fine Arts, where he was mentored by influential painters such as Willem de Zwart and Henk van Leeuwen. This academic foundation firmly embedded him in the Dutch painterly tradition, while also allowing space for a highly personal artistic development.

  In his early career, Noltee travelled extensively, living and working in cities including Paris, Rotterdam, and Bruges. These experiences broadened his visual language and exposed him to both urban dynamism and varied European landscapes. In 1937, he settled permanently in Dordrecht, where he would develop his mature style and become a defining artistic presence.

  Noltee’s oeuvre centers on landscapes, cityscapes—particularly of Dordrecht and The Hague—river views, and still lifes. His work is characterized by a robust and self-confident handling of paint, with energetic brushwork and a strong sense of composition. Due to both his subject matter and painterly approach, he was often compared to George Hendrik Breitner, earning him the nickname “de Dordtse Breitner.”

  His early paintings are notable for their relatively colorful and luminous palette, capturing light and atmosphere with immediacy. In contrast, his later work—especially from the 1960s—evolved toward a more personal form of expressionism. During this period, Noltee adopted a moodier palette dominated by greys and browns, frequently depicting the evocative landscapes of the Biesbosch with a heightened sense of atmosphere and introspection.

  Beyond his artistic output, Noltee was also known for his unconventional, “bohemian” lifestyle. In Dordrecht, he cultivated the image of an artist who lived outside societal norms, reinforcing both his mystique and his reputation as an independent spirit. Through his distinctive style and strong artistic personality, Cor Noltee secured a lasting place within 20th-century Dutch art.

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