'Tiananmen Square' 2006
Zhang Hui
GlassGlass Fibre
100 ⨯ 109 ⨯ 41 cm
ConditionVery good
€ 8.000
Willem Kerseboom Gallery
- About the artworkWILLEM KERSEBOOM MODERN & CONTEMPORARY ART
Zhang Hui (born in 1969)
Beijing Wawa Tian'An Men Square,gold, 2007-2008 Fiberglass Signed, dated, titled and numbered on the base: "1/3" Edition of 3 100 x 109 x 41 cm
Zhang Hui has been included in exhibitions throughout China and Europe and has established herself as an important figure in the contemporary Chinese art world. Born in Yinchuan province in 1969, Zhang Hui graduated from the prestigious Sichuan Academy of Fine Arts and now lives and works in Beijing. Zhang Hui has developed and refined her style over many years. Zhang Hui utilized the skills she had learned from her study of calligraphy and traditional arts and applied them to her own concepts, gradually finding her own direction. Zhang Hui began to study diverse representations of women in sources such as the Chinese cinema of the thirties, propaganda imagery from the Cultural Revolution, advertisements, models and fashion magazines. She was searching for a way to express the modern day Beijing woman based on her own personal experiences and the issues facing contemporary Chinese women. She has created a character to express this: “Beijing Wawa” meaning “Beijing Baby.” “Beijing Wawa” signifies clichéd young girls searching for identity within a society driven by the commodification of culture. The subject of childhoods lost under Mao is a common one in China, but Zhang Hui is looking at her own generation and at a new loss of innocence stolen by new ideals and vacant dreams. “Beijing Wawa” has particular characteristics that exaggerate her personality such as a heart-shaped upper lip, a peach-shaped baby face, a tiny nose that is slightly upturned, and hair like an angel’s wings. She also often has scar on her forehead, like Zhang Hui herself. “Beijing Wawa” reflects a complex, emotional landscape within the portraits of young girls, there is a presence of power balanced with vulnerability, beauty with scars, and youth with maturity. - About the artist
Zhang Hui (b. 1969) is a Chinese contemporary artist known for her striking depictions of women, drawn from the evolving visual language of Chinese media. A graduate of the prestigious Sichuan Academy of Fine Arts, she currently resides in Beijing, where she continues to explore the intersections of history, culture, and commercialization in her work.
Her art is deeply rooted in the portrayal of Chinese women across different eras, drawing inspiration from 1930s cinema, propaganda images from the Cultural Revolution, and modern fashion photography. Through these influences, Zhang constructs a visual dialogue on femininity, identity, and societal transformation in China. One of her most distinctive contributions is the creation of "Beijing Wawa" ("Beijing Baby"), a stylized character embodying the contradictions of contemporary womanhood in China.
With exaggerated features—an apple-shaped face, heart-shaped upper lip, and tip-tilted nose—Beijing Wawa serves as both a critique and a celebration of the idealized female image in modern China. Notably, Zhang Hui gives this character a forehead scar, mirroring her own, adding a layer of personal narrative to her work.
Zhang Hui’s art has been exhibited internationally, with showcases in New York, Bologna, and Hamburg, solidifying her position as a significant voice in contemporary Chinese art. Through her distinctive visual language, she challenges traditional and modern perceptions of women, offering a thought-provoking exploration of beauty, media influence, and the shifting roles of women in Chinese society.
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