Africa 1677
Nicolaes Visscher
€ 1.650
Inter-Antiquariaat Mefferdt & De Jonge
- About the artwork“Africae Accurata Tabula”, copper engraving with original hand colouring by Nicolaes Visscher made in 1658, here in its second state published c. 1677. Size: 43,7 x 54,6 cm. The map illustrates the European view of Africa at the end of the 17th Century, filled with mythical towns, rivers, and mountains and continues to reflect the Ptolemaic view of Africa. Claudius Ptolemy imagined the Nile emanating from two massive lakes in south-central Africa, fed from springs in the imaginary Lunae Montes [the Mountains of the Moon]. The Niger River is shown as well - springing from a Niger Lacus in the general vicinity of the Congo, flowing north and then westward to empty near the actual location of the Gambia River. (The Niger, whose full course was not understood by Europeans until well into the 19th century, actually begins in West Africa well south of The Gambia, and then flows eastwards, emptying into the gulf of Guinea.) To prepare for this map, Visscher turned to the common model of the period which was Willem Blaeu’s 1608 wall map. Like Blaeu, Visscher shows a common source for the Cuama and Spirito Santo Rivers of the Zambese River originating in Sacaf Lacus in Southern Africa. The general outline of Africa is surprisingly modern in appearance. Of special note is the much greater detail that Visscher provides along the South African coastline. The first Dutch settlement under Jan van Riebeeck at the Cape of Good Hope had occurred in 1652, and it is likely that Visscher wanted to show this information on his map. Visscher introduces a number of Dutch names mixed with older Portuguese names. Among these names are Tafel Bay [Table Bay], Tafel Berg [Table Mountain], Robben Eyl [Robben Island], and Schorre hoeck (inland from C. das Aguillas [Cape Agulhas], the southern-most point in Africa). From about 1631 and prior to the issuance of this map, the Visscher publishing family used a a map of Arica of 1614 by Pieter van den Keere for their atlases. This map was used in a number of atlases produced by Nicolaas Visscher up to 1679, when upon his death, his son Nicolaas Visscher II began issuing his own Atlas Minor, using his father’s plate. The second state of the map has been found in atlases dated as late as 1696. The title cartouche in the upper right is surrounded by two Africans, one holding a scorpion and the other a cornucopia. The lower left of the map has an elaborate dedication to Gerard Schaep (1581-1655), a cartouche with Neptune, mermaids and a sea monster bears his coat of arms. Schaep was a mayor of Amsterdam sent by the States General of the Netherlands to London on 27 December 1651 as part of an embassy. The intention of the embassy was to convince the English to withdraw the Navigation Act and to negotiate a new commerce treaty. There were not successful and the First Anglo-Dutch Was resulted. It can be assumed that Visscher’s dedication was to acknowledge this statesman upon his death. The fish being waved about in the cartouche, has little to do with Gerard Schaep and more to do with the mapmaker. Visscher’s name translates literally to “Fisher”, and thus fishermen and fish alike adorn many of the mapmaking family’s works. Price: Euro 1.650,-
- About the artist
Nicolaes was the only son of Claes Jansz. Fisher. He is also known by the names: Nicolaas or Claes Claesz. After years of working for his father in the business, he succeeded him after his death in 1652. In 1662 he was admitted to the Amsterdam booksellers' guild and in 1677 Nicolaes, by now a respected publisher, received a 15-year patent from the states of Holland and West Friesland for the printing and publishing of maps. He died two years later and was buried in the same chapel as his father.
Atlas editions of Nicolaes I included:
"Atlas Contractus Orbis Terrarum" from 1657.
“Germania Inferior” from 1663.
“Atlas Minor” from 1675.
Visscher's atlases were often compiled according to the wishes of the buyers (the so-called Atlas Contractus). They generally contain no text, only sometimes a printed index. Cards from other makers were used, self-engraved and worked copper plates from his father.One of the highlights of seventeenth-century cartography is the multi-page wall map. An example of this - from 1656 - is the map of Zeeland: “Zelandiae Comitatus novissima Tabula”. This consisted of nine sheets that together had a size of 140 x 160 cm. By adding cityscapes, the map could be enlarged even further. These cityscapes were in turn published around 1668 under the name: “Speculum Zelandiae”.
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