A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist
A group of four Meissen porcelain sculptures depicting the four Continents by Unknown artist

A group of four Meissen porcelain sculptures depicting the four Continents 1850

Unknown artist

Porcelain
25 ⨯ 23 cm
Price on request

Zebregs & Röell - Fine Art - Antiques

  • About the artwork
    A group of four Meissen porcelain sculptures depicting the four Continents, commissioned by Tsarina Elisabeth Petrowna (1709-1762)
    Commissioned in 1745, each marked with two crossed swords in underglaze blue, 2nd half 19th century

    "Europa"
    H. 25 x W. 23 cm

    The personification seated on an architrave wearing a crown, with sceptre in the right hand and orb in the left hand, with gem-studded cloak over her armour, flanked by a globe, some books, on the left side a female bust, scroll and yard stick, in the background palette, brush, and paints, silver square and gold compass, underneath the white horse Roman chainmail, shield and arrows, rectangular stone base with gilt edging.

    “Amerika”
    H. 29 x W. 26 cm

    The personification seated atop a crocodile, wearing a polychrome feather crown, plumed cloak, and skirt, the belt set with shells, gold, and gemstones, on her right a parrot, in the left hand a cornucopia with gilt and polychrome jewellery, outlined with large scintillating white-blue pearls, the crossed legs also with gold jewellery, the rectangular stone base with gilt edging.

    “Afrika”
    H. 28.5 x W. 23 cm

    The personification mounted on a lion, wearing a tusked elephant head, in the right hand a golden sceptre, in the left hand ears-of-corn, wearing gilt ear pendants, light purple cloak with set with gems and gold, the facing side with a gilt sun disc, over a skirt and leggings with polychrome plumes and decorative borders, across the knees a light blue fabric, rectangular stone base with gilt edging.

    "Asien”
    H. 31 x W. 23 cm

    The personification mounted on a dromedary, wearing a tall headdress with half-moon, 4 tufts of hair, a gilt string of pearls, as well as gold brooches and gemstones, a gilt sceptre in the right hand and an incense vessel in the left hand, dressed in a light purple cloak, pale yellow dress with a belt and gilt chains with gemstones, the petticoat decorated with polychrome "indianische" flowering branches and, gilt ear pendants and a gilt pearl necklace, crimson shoes with buckles, the dromedary with light blue cover with elaborate gilt decoration, in the background a palm, rectangular stone base with gilt edging.

    Provenance:
    Noble collection, Austria
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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