Old citymap of 's-Hertogenbosch  by Joan Blaeu
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Old citymap of 's-Hertogenbosch 1652

Joan Blaeu

Papel
42 ⨯ 53 cm
€ 1.450

Inter-Antiquariaat Mefferdt & De Jonge

  • Sobre arte
    “Sylva Ducis Gallis vulgo Bois le Duc; vernacule ’s Hartogen Bossche” [Sylva Ducis, in French commonly called Bois-le-Duc; in the vernacular: ’s-Hertogenbosch.] Copper engraving published by Joan Blaeu in 1652 as part of his town book Tooneel der Steden. Coloured by a later hand. Size approx. 42.5 × 53 cm. The Duke of Brabant founded ’s-Hertogenbosch at the end of the twelfth century as the north-easternmost defensive outpost of his duchy. Because it lay near the “three-borders point” of Brabant, Guelders, and Holland, ’s-Hertogenbosch held great military importance for centuries. The city was provided with powerful fortifications and was almost impossible to conquer. During the Eighty Years’ War the Dutch States forces tried no fewer than six times—unsuccessfully—to capture it (in 1585, 1591, 1594, 1601, 1603, and 1622). The opposing side spent vast sums on improving and extending the fortifications. In 1629 Prince Frederick Henry besieged the supposedly impregnable city with 30,000 men; after three months it was forced to capitulate. Following the conquest, a massive citadel (or fortress) was built on the north side of the city. On the map (lower left) one can clearly see that the fortress commanded an open field of fire toward the city; the houses along the Orthenweg (“Casteels Pleyn”) were demolished for this purpose. The plan of ’s-Hertogenbosch shows that the city was laid out along three main streets radiating from the Marct veldt (market square): the Hinthamerstraat running east past St John’s, the Vughterstraat leading south, and the Orthenstraat heading north. The latter was later cut off by the citadel. To the west there was no direct road, but a city gate (no. 46, the St John’s Gate) gave access via the “Wech van Deuteren en Vlymen” along the “Newly Dug Canal.” On the reverse of the map Joan Blaeu described ’s-Hertogenbosch (in 1652): The desire for glory and honour, Blaeu writes, has always inspired men to great deeds—and to the founding of cities that would carry their names. Just as Alexander the Great gave his name to many cities, so ’s-Hertogenbosch derived hers from a duke, probably Godfrey III of Lorraine, who began building it in 1084. His son Henry strengthened the settlement with a moat and expanded it further. The city was originally circular and had three gates named after Leuven, Brussels, and Antwerp. Over the centuries ’s-Hertogenbosch underwent several enlargements—in 1318, 1453, and again in the early 16th century. It acquired brick walls, bastions, and deep moats fed by the rivers Dommel and Aa. Around 1550 it had seven city gates, later reduced to five: the Vughterpoort (to Antwerp), Orthenpoort (to Zaltbommel), Hinthamerpoort (to Grave), St John’s Gate (to Heusden), and St Anthony’s Gate (to Helmond and Eindhoven). Spanning the moats were dozens of bridges—according to Blaeu, 51 of stone and 38 of wood—and the city’s circumference was so large that it took a brisk walker an hour and a half to circle it. At the city’s heart stood the great St John’s Cathedral, elevated to episcopal status in 1559. Blaeu calls it “impressive and magnificent,” adorned with a costly clock. He describes the inhabitants as brave, martial, and industrious, retaining something of the sturdy character of the old Brabanders. At the same time, he praises their civility, diligence, and craftsmanship, noting the presence of many talented artists and artisans. ’s-Hertogenbosch lay in the midst of marshy terrain, surrounded by meadows often flooded—conditions that rendered it virtually impregnable in wartime. To the south, near Vught, where the ground was slightly higher, the Spaniards built three strong forts before the final siege of 1629: St Anthony, Isabella, and the Pettelaarse Schans. The Dutch Republic later further reinforced the city and constructed a new fortress at the end of the Orthenstraat, where the Dieze River enters the town. The municipal government consisted of two schouten (sheriffs) of noble birth—one responsible for civil matters, the other for criminal cases—and a board of schepenen (aldermen) elected annually. Emperor Charles V expanded this board in 1525 from seven to nine members and granted it considerable authority, including over fines and legal disputes. Only native citizens could serve as councillors, and they were required to reside in the city during their term of office. Blaeu calls ’s-Hertogenbosch the capital of the “fourth quarter” of Brabant, which included the regions of the Kempen, Peelland, Maasland, and Oisterwijk, with towns such as Helmond, Eindhoven, Megen, Ravenstein, and Grave. The city, he says, contained more than two thousand fine houses, a spacious market square from which eight streets radiated, and abounded in prosperity and artistic achievement. Finally, Blaeu lists several of its most distinguished sons: Cardinal Willem van Enckevoort, the humanist Georgius Macropedius, the scholar J(o)an van Vladeracken, and the jurists Dirck Nopen, Wilhelm van Veen, Arnout Arlen, and Gosuinus Steganus.
    Together, he concludes, they embody the learning, courage, and excellence of a city which, “in strength, beauty, and fame,” scarcely finds its equal in Brabant. Price: Euro 1.450,-  
  • Sobre artista

    Joan Blaeu (1596-1673), nasceu em 23 de setembro de 1596 em Alkmaar.

    Ele era um cartógrafo holandês nascido em Alkmaar. Ele seguiu os passos de seu pai, o cartógrafo Willem Blaeu.

    Em 1620 tornou-se doutor em direito, mas ingressou no trabalho de seu pai. Em 1635 publicaram o Atlas Novus (título completo: Theatrum orbis terrarum, sive, Atlas novus) em dois volumes. Joan e seu irmão Cornelius assumiram o estúdio depois que seu pai morreu em 1638. Joan tornou-se o cartógrafo oficial da Companhia Holandesa das Índias Orientais.

    O mapa-múndi de Blaeu, Nova et Accuratissima Terrarum Orbis Tabula, incorporando as descobertas de Abel Tasman, foi publicado em 1648. Este mapa foi revolucionário porque "descreve o sistema solar de acordo com as teorias heliocêntricas de Nicolau Copérnico, que mostram a Terra girando o sol... Embora o livro inovador de Copérnico Sobre as Revoluções das Esferas tenha sido impresso pela primeira vez em 1543, pouco mais de um século antes, Blaeu foi o primeiro cartógrafo a incorporar essa revolucionária teoria heliocêntrica em um mapa do mundo."

    O mapa de Blaeu foi copiado para o mapa-múndi colocado na calçada do Groote Burger-Zaal da nova Prefeitura de Amsterdã, projetado pelo arquiteto holandês Jacob van Campen (agora Palácio Real de Amsterdã), em 1655.

    A Hollandia Nova de Blaeu também foi retratada em seu Archipelagus Orientalis sive Asiaticus, publicado em 1659 no Kurfürsten Atlas (Atlas do Grande Eleitor). e usado por Melchisédech Thévenot para produzir seu mapa, Hollandia Nova—Terre Australe (1664).

    Como "Jean Blaeu", ele também publicou o volume 12 "Le Grand Atlas, ou Cosmographie blaviane, en laquelle est exactement descritte la terre, la mer, et le ciel". Uma edição é datada de 1663. Era fólio (540 x 340 mm) e continha 593 mapas e placas gravadas. Em março de 2015, uma cópia estava à venda por £ 750.000.

    Por volta de 1649, Joan Blaeu publicou uma coleção de mapas de cidades holandesas chamada Toonneel der Steeden (Visões de cidades). Em 1651 ele foi eleito para o conselho de Amsterdã. Em 1654, Joan publicou o primeiro atlas da Escócia, elaborado por Timothy Pont. Em 1662 reeditou o Atlas Novus, também conhecido como Atlas Maior, em 11 volumes, sendo um para os oceanos.

    Uma cosmologia foi planejada como seu próximo projeto, mas um incêndio destruiu o estúdio completamente em 1672.

    Joan Blaeu morreu em Amsterdã no ano seguinte, 1673. Ele foi enterrado no Westerkerk em Amsterdã.

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