Cinquantaine 1996
Cole Morgan
Original oil on canvasMixed techniques
50 ⨯ 50 cm
Price on request
Bruning Heintz Fine Art
- About the artworkGrootte 50 x 50 cm
Signatuur Gesigneerd
Materiaal Olieverf op doek
Stroming Abstract expressionisme
Provenance Particuliere collectie Den Haag
Fraai werk uit 1996 van Cole Morgan. De kenmerkende Cole Morgan-figuur staat centraal op het doek en komt krachtig naar voren tegen de intense rode achtergrond, een kleur die de kunstenaar in het midden van de jaren ’90 vaker toepaste. In de abstracte stijl die Morgan sinds de jaren ’80 ontwikkelde, spelen kleur, vorm en licht de hoofdrol in de compositie. De subtiele geschilderde schaduwen zorgen voor een illusie van diepte en geven het werk een bijna tastbare gelaagdheid. Dit schilderij is een treffend voorbeeld van Morgans vermogen om een ogenschijnlijk eenvoudig motief tot leven te brengen met visuele spanning en harmonie. Door de combinatie van de krachtige kleuren en de uitgebalanceerde compositie is dit een opvallend en bijzonder aantrekkelijk werk, dat direct de aandacht van de toeschouwer weet vast te houden. - About the artist
Cole Morgan, born in 1950 in New York, is an American artist who grew up in New Mexico. In 1971, he received his Bachelor of Fine Arts from the University of New Mexico in Albuquerque. After graduating, he moved to Europe, where he studied art history and lithography at the Centro di Arte Grafica in Florence from 1971 to 1973. He then continued his education at the Vrije Academie in The Hague in 1973 and 1974. After graduating, he taught drawing and painting at the York Road School in Dublin, Ireland. Morgan currently lives and works in Antwerp, Belgium.
Morgan is known for his abstract expressionist style, in which he uses collage techniques. His compositions consist of multiple layers and are often based on mathematical patterns. He integrates various materials such as shells, feathers, pebbles, pieces of paper, cardboard and wood into his works, and sometimes also images of houses and churches. A striking feature of his abstract works is the use of shadows, which gives the forms an apparent three-dimensionality and adds a sense of depth and mystery.
Morgan describes his creative process as “controlled spontaneity,” combining elements such as color, texture, and shape to create complex and intriguing compositions. He invites the viewer to explore his works and discover new details and meanings, resulting in an ongoing dialogue between the artwork and the viewer.
Morgan’s work has been exhibited worldwide, with exhibitions in cities such as Seoul, Zurich, Maastricht (TEFAF), Cologne, Dublin, Hong Kong, San Francisco, Amsterdam, Beijing, and Chicago. His artworks can be found in both public and private collections worldwide, testifying to his international recognition and influence on the contemporary art scene.
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