17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido
17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guilliam Gabron (1609-1662), Antwerp, Oil on Oak by Artista Desconhecido

17th C Wild Boar Hunt, Attr. to Jan van Kessel (Antwerp,1626 -Antwerp,1679) on Panel marked by Guill 1640 - 1660

Artista Desconhecido

Mídia mistaMixed Media incl oil on panel
51.50 ⨯ 84.50 ⨯ 4 cm
ConditionGood
Preço em pedido

Spectandum Gallery

  • Sobre arte
    Hunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others. Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel. Van Kessel painted a lot of animals (mainly insects and birds), flowers and symbolic pieces. (Panel marked by Guilliam Gabron 1609-1662, Antwerp ?)
  • Sobre artista

    Pode acontecer que um artista ou criador seja desconhecido.

    Algumas obras não devem ser determinadas por quem são feitas ou são feitas por (um grupo de) artesãos. Exemplos são estátuas dos tempos antigos, móveis, espelhos ou assinaturas que não são claras ou legíveis, mas também algumas obras não são assinadas.

    Além disso, você pode encontrar a seguinte descrição:

    •"Atribuído a …." Na opinião deles, provavelmente uma obra do artista, pelo menos em parte

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    • “Assinado…”, “Datado…” ou “Inscrito” Na opinião deles, a obra foi assinada/datada/inscrita pelo artista. A adição de um ponto de interrogação indica um elemento de dúvida

    • "Com assinatura ….”, “Com data ….”, “Com inscrição ….” ou “Tem assinatura/data/inscrição” na opinião deles a assinatura/data/inscrição foi adicionada por outra pessoa que não o artista

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