A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist
A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 by Unknown artist

A large French Louis XVI ormolu 'lion' mantel clock, circa 1760 1760

Unknown artist

62 ⨯ 36 ⨯ 18.50 cm
Price on request

Gude & Meis Antique clocks and Music Boxes

  • About the artwork
    8-day movement with half hour striking, fine ormolu case.

    enamel dial with Roman numerals and finely foliate pierced and engraved hands, 8-day spring driven movement with anchor escapement and silk suspended pendulum, countwheel half hour striking on a bell, fitted in an ormolu case hung with garlands and surmounted by an ormanetal urn, supported by a lion it's paw resting on an globe, base with diamond shaped pattern and rosettes to the corners, the front with a portrait of Louis XVI hung with garlands, the whole on turned feet.

    Most of us would see a beautifully designed clock with the lovely colour combination of the gold, patinated bronze and the griotte rouge marble. And to my opinion it is. But there is more to it. Looking more closely we see that the figures are satyrs the helpers of Bacchus the God of wine. They are carrying a wine vessel surmounted by a wine cup covered by vine leaves, the whole on top of a panthers skin. All these features are also connected with Bacchus and strengthen the idea that the design personifies the wine harvest. Since the French elite of the second half of the 18th Century liked to mirror themselves to Antiquity, the theme would have fitted their taste very much. Just as it does fit ours nowadays.
  • About the artist

    It might happen that an artist or maker is unknown.

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    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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