Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido
Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 by Artista Desconhecido

Table Cut Brilliance: A Rare Diamond Cluster Ring from circa 1600 1600

Artista Desconhecido

DiamanteOuroPrataGemstone
€ 26.000

Adin Fine Antique Jewellery

  • Sobre arte

    A rare survivor from around 1600, this transitional Renaissance to Baroque cluster ring embodies the discerning taste of early European connoisseurs. Crafted in yellow gold and silver, it holds nine table cut diamonds of exceptional calibre, theirharmonious brilliance a testament to refined selection and mastery. Such uniform quality in stones of this period is extraordinarily rare, marking this jewel as one likely commissioned by a family of distinction. If only jewels could speak, this ringwould recount stories of lineage, prestige, and the dawn of diamond connoisseurship.

    This jewel is part of Adin’s curated collection of early European masterpieces, representing over four centuries of jewellery history.


    Jewellery Type
    ring

    Condition
    Very good condition. The ring has been preserved with remarkable care, retaining its structural integrity and original character. The central diamond is secured by a pin running through its centre from the top and fixed with tin along the inner side, atechnique entirely typical for this period. As a result, the stone can turn slightly, which is consistent with its age and method of setting. Minor traces of wear add to its authenticity and charm.
    more info on our condition scale

    Country of origin
    Unknown. While no conclusive documentation exists, the refined craftsmanship and stylistic characteristics suggest that this jewel could have originated in one of the major European centres of the late Renaissance, such as Italy, the SouthernNetherlands, or possibly Germany. Each of these regions was known for its mastery in early diamond setting and the subtle harmony of gold and silver work.

    Style
    It is uncertain whether this jewel should be classified as Renaissance or Baroque. What is relatively certain, however, is that it was created at the very moment when these two great styles met, a period of artistic transformation when classicalrestraint began to yield to movement and exuberance.
    Find more info on Baroque and Renaissance.
    more info on styles

    Style specifics
    Baroque, which emerged shortly before 1600, evolved from the Renaissance tradition and flourished across Europe until the Rococo era around 1730. Originating in Italy and spreading through Germany, Austria, the Low Countries, Spain, and Portugal, itcombined grandeur with vitality. Its sculptural lines, flowing ornament and sense of movement reflect the era’s fascination with light and emotion, in contrast to the balanced symmetry of Renaissance design and the later asymmetry of Rococo.

    Period
    Around 1600 marks the transition from the measured harmony of the Renaissance to the more expressive energy of early Baroque design. This was a time when craftsmanship flourished under the influence of both classical ideals and the emerging taste foropulence that would soon define the seventeenth century.
    Events & facts of this era, poetry of this era, fashion of this era.

    Material 14K
    yellow gold and silverThis refined combination of metals was typical for precious jewellery of the late Renaissance and early Baroque period. The use of silver around the diamonds enhanced their brightness, while the warmth of gold provided a soft contrast that remainstimelessly beautiful.
    more info on precious metals

    Technique
    The table cut diamonds are set on foil, a refined technique used to heighten their brilliance and depth. By reflecting light through the carefully faceted stones, this method enhanced their luminosity even in candlelight, revealing the skill of the early diamond cutters and the jewellers who mastered this delicate art.

    Extra information
    The diamonds in this ring display an exceptionally high quality. In all our years in the trade, we have never encountered a jewel of this age set entirely with stones of such uniform and outstanding calibre.

    Diamonds
    Nine table cut diamonds.The exact weight of the stones is unknown, which is customary in our trade for early cuts. Each diamond was carefully selected for its clarity and proportion, and together they create a rare harmony of light. Such uniform quality in stones of this period is seldom encountered and reflects the exceptional taste and means of the original patron.

    - All diamonds, regardless of their size or shape, in our vintage and antique jewellery are verified as 100% natural by the IJGC laboratory.

    Birthstones
    Diamond is the birthstone for April and has long been associated with strength, purity, and everlasting love. Its symbolism of constancy made it a cherished choice for jewels of sentiment throughout history, a meaning that still endures today.
    more info on birthstones

    Hallmarks
    No hallmarks are present, which is not unusual for jewellery of this early period. Hallmarking systems were still developing around 1600 and often applied inconsistently across regions. The absence of marks therefore aligns with its age and craftsmanship rather than detracting from its authenticity.
    more info on hallmarks

    Dimensions
    The width at the top of the ring measures 1.31 cm (0.52 inch).
    see picture with a ruler in millimeters and inches

    Weight
    3,70 gram (2,38 dwt)
    The lightness of the design is typical for the period and reflects the delicate balance between strength and refinement that characterises early European craftsmanship.

    Ring size Continental EU: 49 & 15¾ , Size USA: 5 , Size UK: J

    Resizing
    We offer complimentary resizing for this ring so it may be worn comfortably and securely. Only in cases requiring an exceptional adjustment may a small fee apply. Our goldsmiths take the utmost care to preserve the integrity and historical character ofeach jewel during the resizing process.
    more info on ring sizes

    Adin Reference Nº
    25296-0103

    Copyright photography
    Adin, fine antique jewellery

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  • Sobre artista

    Pode acontecer que um artista ou criador seja desconhecido.

    Algumas obras não devem ser determinadas por quem são feitas ou são feitas por (um grupo de) artesãos. Exemplos são estátuas dos tempos antigos, móveis, espelhos ou assinaturas que não são claras ou legíveis, mas também algumas obras não são assinadas.

    Além disso, você pode encontrar a seguinte descrição:

    •"Atribuído a …." Na opinião deles, provavelmente uma obra do artista, pelo menos em parte

    • “Estúdio de…” ou “Oficina de” Em sua opinião um trabalho executado no estúdio ou oficina do artista, possivelmente sob sua supervisão

    • "Círculo de ..." Na opinião deles, uma obra da época do artista mostrando sua influência, intimamente associada ao artista, mas não necessariamente seu aluno

    •“Estilo de…” ou “Seguidor de…” Na opinião deles, um trabalho executado no estilo do artista, mas não necessariamente por um aluno; pode ser contemporâneo ou quase contemporâneo

    • "Maneira de ..." Na opinião deles, uma obra no estilo do artista, mas de data posterior

    •"Depois …." Na opinião deles uma cópia (de qualquer data) de uma obra do artista

    • “Assinado…”, “Datado…” ou “Inscrito” Na opinião deles, a obra foi assinada/datada/inscrita pelo artista. A adição de um ponto de interrogação indica um elemento de dúvida

    • "Com assinatura ….”, “Com data ….”, “Com inscrição ….” ou “Tem assinatura/data/inscrição” na opinião deles a assinatura/data/inscrição foi adicionada por outra pessoa que não o artista

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