Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude
Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) by Christo and Jeanne-claude

Wrapped Coast Project - colour-offset 1977, edition 100 (Schellmann 87A) 1977

Christo and Jeanne-claude

LithographieImprimer
60 ⨯ 80 ⨯ 4 cm
ConditionGood
€ 2.500

Van Kerkhoff Art

  • Sur l'oeuvre d'art
    Wrapped Coast, Little Bay, Australia, 1968-1969 (Schellmann 87A)
    Offset print on Offsetpaper
    Edition: 100
    Signed and numbered (12/100) by the artist in lower right corner.
    Original Photograph: Harry Shunk
    Publisher: The Israël Museum, Jerusalem 1977
    Professionally framed in a American Walnut veneered frame, museumglass (anti reflecting and UV filtered). Ready to hang.

    Condition
    Artwork in good condition. No creases, no discolorations.

    Literature
    Jorg Schelmann (ed.) Christo and Jeanne-Claude, prints and objects 1963 – 2020, p. 101, P. 277

    Signed
    Signed by the artist and numbered (12/100) in the right lower corner.

    Dimensions
    Sheet
    H 47 cm
    W 68,5 cm

    Frame
    H. 60 cm
    W. 80 cm
    D. 4 cm

    The Wrapped Coast Project
    Picturesque Little Bay, south of Sydney Australia was shook up in 1969 when Bulgarian born, New York based artist arrived with his wife and over a hundred workers and volunteers who brought 90.000 square meters of plastig fabric, 56 kilometers of polypropylane rope. They transformed the landscape into a gigantic work of art, by then the largest single artwork that was ever made. The artwork captured the attention of journalists around the world and it profoundly influenced the course of contemporary art in Australia.

    About the Artists
    Christo Vladimirov Javacheff and Jeanne-Claude Denat de Guillebon, known collectively as Christo and Jeanne-Claude, were a married couple of artists known for their large-scale environmental installations.

    Christo was born on June 13, 1935 in Gabrovo, Bulgaria. He studied at the Fine Arts Academy in Sofia before moving to Prague, then Vienna, and finally Paris, where he met Jeanne-Claude in 1958.

    Jeanne-Claude was born on June 13, 1935 in Casablanca, Morocco. She studied Latin and philosophy at the University of Tunis and then at the University of Paris, where she met Christo.

    The couple worked together on numerous projects throughout their career, beginning with a series of smaller works in the 1960s. Their first major project was the 1969 Wrapped Coast, for which they covered over a mile of coastline in Little Bay, Australia with 35 miles of fabric.

    Over the years, Christo and Jeanne-Claude became known for their ambitious installations that transformed natural and urban landscapes around the world. They worked with various materials, including fabric, steel, and plastic, and often employed a team of engineers and fabricators to realize their visions.

    Some of their most famous works include the 1983 Surrounded Islands, for which they encircled eleven islands in Miami's Biscayne Bay with pink polypropylene fabric; the 1995 Wrapped Reichstag, for which they covered the German parliament building in Berlin with silver fabric; and the 2005 The Gates, for which they installed 7,503 orange fabric panels along 23 miles of footpaths in New York's Central Park.

    Christo and Jeanne-Claude's installations were often controversial and faced opposition from government officials and local residents. However, the couple saw their projects as a way to challenge traditional notions of art and engage with the public in a new and dynamic way.

    Jeanne-Claude passed away in 2009 at the age of 74. Christo continued to work on new projects and installations until his death on May 31, 2020 at the age of 84. Their legacy lives on through their numerous installations, which continue to inspire and awe audiences around the world.
  • Sur l'artiste

    Christo et Jeanne-Claude, artistes renommés d'installations et d'artistes terrestres, ont déclaré que le but de leur travail est de créer de la joie et de la beauté, permettant aux spectateurs de voir des paysages familiers d'une nouvelle manière. Christo est né en 1935 en Bulgarie communiste. Il a fréquenté l'Académie nationale d'art de Sofia avant de déménager à Prague, puis de fuir le bloc de l'Est, d'abord à Vienne, puis à Genève et à Paris. Jeanne-Claude est née le même jour que Christo au Maroc français. Elle étudie le latin et la philosophie à l’Université de Tunis avant de s’installer à Paris, où elle rencontre Christo en 1958 alors qu’il peint le portrait de la mère de Jeanne-Claude. Le couple a collaboré à leur première installation majeure, Stacked Oil Barrels, un arrangement de barils de pétrole aux couleurs vives bloquant une rue parisienne, en 1961. Christo et Jeanne-Claude ont immigré à New York en 1964, lançant une carrière artistique commune qui couvrirait le Les artistes sont connus pour «emballer» des objets et des sites historiques, comme le Reichstag à Berlin (1995), le pont parisien du Pont Neuf (1985) et le Chicago's Museum of Contemporary Art (1969). Ils ont également construit diverses installations terrestres aux couleurs vives, telles que The Gates in Central Park (2005), Running Fence dans les comtés de Sonoma et Marin, Californie (1976), The Umbrellas in Japan and California (1991), et les îles entourées dans la baie de Biscayne à Miami. (1983).

Êtes-vous intéressé par l'achat de cette oeuvre?