Carmencita 1883
Théo van Rysselberghe
Peinture à l'huilePanneauPeindre
24 ⨯ 18 cm
ConditionMint
€ 8.000
Art Dumay
- Sur l'oeuvre d'artTheo van Rysselberghe was a Belgian painter associated with Neo-Impressionism, and his work “Carmencita” from 1883 is a fine example of his early artistic development. This painting is notable for several reasons.
Historical significance: As an early work created at the beginning of Van Rysselberghe’s career, “Carmencita” offers valuable insight into his artistic growth. During this period, he was influenced by Realism and began experimenting with Impressionist techniques, before later transitioning into Neo-Impressionism.
The fact that this panel is signed, dated, and titled enhances its provenance and authenticity.
Format and condition: Measuring 24 x 18 cm (panel) and 32 x 26 framed, “Carmencita” is a relatively small work, likely intended as a study or an intimate composition. Its good condition adds to its value, suggesting that the colors and details have been well preserved as originally intended by the artist.
Theo van Rysselberghe’s works are widely appreciated for their vibrant use of color and light. As his career progressed, he became one of the leading figures of Neo-Impressionism, often associated with the pointillist technique inspired by Georges Seurat. Although “Carmencita” predates his pointillist phase, it already demonstrates the careful observation and attention to detail that would later define his work. This piece is therefore of interest not only for its aesthetic qualities, but also for its historical and scholarly importance in understanding the evolution of Van Rysselberghe’s style. - Sur l'artiste
Van Rysselberghe (1862 - 1926) est considéré comme un chef de file important du pointillisme, avec lequel il a inspiré des artistes néerlandais tels que Jan Toorop.
Au cours d'un de ses voyages au Maroc en 1888, il a vu la lumière au propre comme au figuré et a commencé à appliquer des points de peinture sans mélange avec lesquels il a réussi à exprimer la lumière et la couleur d'une manière sublime. Il continuera à utiliser cette technique tout au long de sa carrière.
L'exposition retrace l'évolution de Van Rysselberghe à travers ses thèmes de prédilection : les portraits mondains, les paysages ensoleillés des Flandres au Maroc, les marines et le nu féminin. Son œuvre est une ode à la beauté de la vie et à la peinture elle-même.
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