Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist
Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist
Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist
Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist
Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist
Stilleben: die grosse Zeit des europaïschen Stillebens by Unknown artist

Stilleben: die grosse Zeit des europaïschen Stillebens 1979

Unknown artist

PaperLeather
42 ⨯ 34 cm
Currently unavailable via Gallerease

Scriptum Art Books

  • About the artwork
    Written by I. Bergstrøm, C. Grimm, M. Rosci, F. Faré, and others.

    Published in Stuttgart/Zürich in 1979. The measurements of the book are 34 x 41,5 cm. 243 pages of German text, 60 full colour fold-outs, 152 colour tipped-in illustrations, 544 monochrome., leatherbound, gil.

    "Lavishly produced and illustrated monograph on still-life painting in the 17th. and 18th. centuries with texts by leading authorities in the field. Biographies of the masters of European still-life painting, extensive bibliography. German translation of the Italian original 'Natura in Posa', Milano 1977. This is a special edtion of 80 copies leatherbound, slipcased and numbered. (number 56/80)."

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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